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LDJ – 71 First Quarter 2023

Layout Design Journal Issue #71 (First Quarter 2023):


Magazine Summary

This issue revolves around themes of adaptability, space-conscious planning, historical fidelity, and layout design for relocation or constrained settings. The articles in this edition highlight a growing emphasis on modularity, small-footprint realism, and operational authenticity, while continuing to explore diverse regions and railroad eras.

The feature article by Robert Hanmer examines concept development for a layout inspired by Minnesota’s Iron Range. Drawing from his earlier Hibbing-based plan, Hanmer expands the narrative to include Time Table and Train Order (TT&TO) operations, dual railroad staging, and era-specific freight and passenger traffic, culminating in a nuanced vision rooted in real-world geography and historical traffic flows.

Dean Ferris’s Oregon Joint Line in N scale demonstrates sophisticated proto-freelancing, blending imagined traffic routing and real-world inspirations. Emphasizing trackage rights, helper operations, and yard-to-yard transfers, Ferris effectively models intense operations across multiple railroads while incorporating staging, creative terrain modeling, and complex scheduling.

Jerry Hoverson presents an innovative benchwork solution with “roll-under” access, allowing a raised floor HO layout to remain maintainable even with physical limitations. His thoughtful construction techniques blend accessibility, strength, and visual neatness while maintaining a professional appearance.

The issue also features several 10-turnout layout Challenge designs, each emphasizing operational realism within a small footprint. Richard Turton’s Appalachian-themed design balances coal, coke and glass industry switching with dual-railroad interchange. Robert Stafford’s Pen Argyl branch showcases a standalone adaptation of a larger layout concept.

Eric Hansmann explores strategies for designing layouts intended to be relocated, while Robert Perry discusses single vs. double-track design tradeoffs.


Table of Contents

Articles

Iron Range Concept Development – Robert Hanmer – Page 4
Helpers, TT&TO, and Five Railroads – Dean Ferris – Page 8
Roll-Under Benchwork – Jerry Hoverson – Page 16
Appalachian Town in Ten Turnouts – Richard Turton – Page 21
Ten-Turnout Branch Terminus – Robert Stafford – Page 24
Building to Move – Eric Hansmann – Page 27
One or Two Tracks (or Both?) – Robert Perry – Page 32
Fascia Color Ideas from Display Layouts – Nicholas Kalis – Page 36

Columns / Departments

Ever Had One of Those … Years? – Byron Henderson – Page 3
Changes and Opportunities – Ron Burkhardt – Page 3
Meetings: NMRA DFW 2023 – Page 7
LDSIG Web Volunteers Needed – Page 15
Free Future Issues for Your Articles! – Page 37
Election, Report, and Call for Candidates – Pages 38–39


Detailed Article Summaries

LDJ-71

Title: Iron Range Concept Development: Mines, Two Railroads, and TT&TO on the GN Mesabi Division    Page 4

Author: Robert Hanmer
Railroads Modeled: Great Northern (GN); Duluth, Messabi & Iron Range (DM&IR) (Mesabi Division); concept applicable to all RR layouts

Location: Hibbing, Minnesota (previous layout); Gunn, MN; Grand Rapids, MN; Minnesota Iron Range

Era: 1958
Layout Scale: HO
Layout Size: Large room-sized layout
Techniques: Development of a concept; locale and era considerations; Prototype based design; Dual railroad operation, staging, TT&TO, mine runs, freight switching; passenger traffic, historical era modeling,

Summary:
Robert Hanmer describes the evolution of concept for his new Iron Range-themed layout based on shared trackage and operational complexity in northern Minnesota. Building upon a prior Hibbing, MN layout, the new design incorporates timetable and train order (TT&TO) operations, extensive mining operations, and multiple yards. It focuses on a 1958 operational era, chosen to capture a transitional time for steam, diesel, passenger, and ore traffic. Strategic use of GN and DM&IR shared trackage, freight and passenger variety, and industrial modeling creates an operationally rich and historically grounded layout concept.


Title: Helpers, TT&TO, and Five Railroads; Modeling Oregon’s “dry side” on the Oregon Joint Line    Page 8

Author: Dean Ferris
Railroad Modeled: Proto-freelanced “Oregon Joint Line” (NP, GN, UP, SP, O&NE)

Location: Eastern Oregon

Era: late ‘60’s / early ‘70’s

Layout Scale: N
Layout Size: 25′ × 28′
Techniques: Multi-deck  with no helix; nolix; shared trackage; trackage rights; helper ops; TT&TO; scenic compression; interchange; mid-run terminals; proto freelancing; lumber mills; stacked reversing staging loops; controlling sightlines; designing for photography;

Summary:
Dean Ferris’s Oregon Joint Line blends real and imagined railroads to create a prototypically plausible and visually spectacular layout. With intense mainline operations, helper service, and joint trackage among five competing railroads, the layout prioritizes yard operations, motive power variety, interchange transfers, and dispatcher complexity. The plan features mid-layout terminals, canyon scenes, a hinged backdrop for access, peninsulas eliminating a helix, and creative use of “blobs” to enhance realism in photography and train visibility. A strong focus on interaction and operator challenge—mirroring prototype railroad dynamics—makes this layout an operational standout in N scale, making use of its ability to provide wide open spaces.


LDJ-71

Title: Roll-Under Benchwork: “People tunnels” ease wiring and maintenance   Page 16

Author: Jerry Hoverson
Railroad Modeled: Rocky Mountain Central; (based on DRG&W); Colorado Pacific (based on RGS);

Location:   Colorado

Era:   Any
Layout Scale: HO (standard and narrow gauge)
Layout Size: Garage size  26 x 24’  with staging beneath main level
Techniques:  Elevated aisles, roll-under access, JMRI staging control, hard-surface skirts, modular framing, ergonomic access; elephant style loop staging; wye staging; ceiling hung valence

Summary:
Jerry Hoverson introduces a novel benchwork concept to enable seated roll-under access for simplified maintenance and wiring. Designed to accommodate physical needs post-surgery, the 10’ ceiling accommodates benchwork features raised aisles and elevated mainline heights, providing exceptional under layout accessibility, lighting storage, and clean aesthetics.  He describes construction of Valances, vertical wall supports, lift out access doors, and integrated power outlets, which enhance function and form. The layout supports complex dual-gauge operations, scenic visibility, and professional-grade construction within a manageable maintenance framework.


LDJ-71

Title: Appalachian Town in Ten Turnouts: Two railroads serving natural-resource industries  Page 21

Series:  10 Turnout Challenge introduced in LDJ-69

Author: Richard Turton
Railroad Modeled: Freelanced Appalachian town with B&O and WM elements

Location: Appalachia

Era:   1974
Layout Scale: HO
Layout Size: 10 x 15; reconfigurable U-shape
Techniques: Dual-railroad operations, raw material processing industry modeling, glass manufacturing; interchange, staging via cassettes, compact ops

Summary:
Richard Turton’s layout design challenge explores how to integrate multiple resource-processing industries and two railroads within a 10-turnout constraint. Set in the fictional Appalachian town of “Glassko,” the design supports coal, coke oven, sand, and glass operations with staged cassettes and realistic switching. Live Interchange between railroads and selective view blocks enhance visual appeal. The design offers compelling operations in a footprint suitable for small spaces, emphasizing realism without over-complexity.


LDJ-71

Title: Ten-Turnout Branch Terminus: Portion of a larger design refined as a standalone layout  Page 24 

Series:  10 Turnout Challenge introduced in LDJ-69

Author: Robert Stafford
Railroads Modeled: Bangor & Portland; (DL&W); Freelanced based on Pen Argyl, PA
Location: Pen Argyl; eastern Pennsylvania

Era: 1974

Layout Scale: HO
Layout Size: 2′ × 9’6″ plus staging
Techniques: Slate industry, selective compression, closet layout, prototype-inspired end of branch line operations

Summary:
Robert Stafford presents a compact 10-turnout layout based on Pen Argyl, Pennsylvania, known for slate quarry operations. Though not an exact replica, the layout retains key commodities, switching complexity, and small-branch operations. Designed to fit in a closet, the plan supports interesting loads such as slate scrap, finished products, feed, and team-track deliveries. It illustrates how a portion of a larger layout can stand alone with engaging operations.


LDJ-71

Title: Building to Move;  Sectional benchwork to ease transport, preserve modeling   Page 27

Author: Eric Hansmann
Railroads Modeled: Baltimore & Ohio; Varies (generalized advice)
Location: Wheeling, WV

Era: 1926

Layout Scale: HO
Layout Size: 10 x 16; adaptable to space; 2×4’ sections; Modular/portable
Techniques: Modular construction, relocation planning, detachment systems, lightweight scenery, simplicity of design and construction; sectional construction

Summary:
Eric Hansmann shares lessons from building a layout designed to be moved. The article covers track planning from ICC Valuation Maps, sectional benchwork, joinery techniques, detachable electrical connections, scenery strategies, and transport considerations. It’s a practical guide for those anticipating a future move, offering insight into preserving work without sacrificing quality or realism.


LDJ-71

Title: One or Two Tracks (or Both?): Considering layout purpose, operating style, and more    Page 32 

Author: Robert Perry, O.D.
Railroad Modeled: Freelance Glacier Line (referenced example), general advice

Location:   Any

Era:   Any

Layout Scale: O (example); general theory
Layout Size: generally applicable
Techniques: Single vs. double-track theory; prototype-inspired design; operations-first vs display running planning; participation-focused layout design; train density; Concept/Theme development

Summary:
Robert Perry addresses a foundational layout design question: whether to model a single-track or double-track mainline. Drawing from both personal experience and prototype principles, he discusses the operational implications of each option. Perry advocates for an “operations-first” mindset—selecting mainline configuration based on desired operator participation and engagement, traffic patterns, and terrain constraints. He stresses the importance of meaningful interaction between trains and operators, whether through dispatcher communication, meets, bottlenecks, or maintenance-of-way (MOW) scenarios. The article incorporates design examples from the Glacier Line O-scale layout and emphasizes hybrid designs that strategically mix single and double-track sections to increase interest and realism. Perry’s commentary is especially valuable for designers weighing aesthetics against complexity and operational depth.


LDJ-71

Title: Fascia Color Ideas from Display Layouts

Author: Nicholas Kalis
Railroad Modeled: Ian Clark’s Rockingham (UK P4 layout)
Layout Scale: P4 (4mm:1ft, similar to OO)
Layout Size: Exhibition display layout
Techniques: Visual design, fascia integration, exhibition modeling, color harmony

Summary:
Nicholas Kalis critiques common fascia color choices in American model railroads and offers insights from British exhibition layouts, particularly Ian Clark’s P4 Rockingham. He argues that U.S. layouts often default to green or black fascia colors that clash with the modeled scenery or remain unpainted, detracting from visual appeal. In contrast, the British layout features a putty-colored fascia that harmonizes with the scenery and enhances the viewing experience. Kalis encourages modelers to consider fascia color as part of the overall presentation, not an afterthought He offers aesthetic advice backed by photographic examples and suggests using muted or complementary tones based on the layout’s theme. The article closes by pointing readers to further resources in the LDSIG Layout Design Primer.

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227 was retired in 1960 and now is preserved at the Lake Superior

Railroad Museum in Duluth, Minn.
LDJ-71 First Quarter 2023 7
Satisfying choices
I built the railroad, fitting most of what
I wanted into the space. Operations started
on a modeled date of May 1, 1958 and
have progressed to August 3, 1958 through
nearly 250 operating sessions. Crew size
ranges from 8-12 people, depending upon
their experience, to recreate heavy iron ore
operations on the Mesabi Division. I’m
very happy with the railroad as it has been
built.
(Below) Robert’s operating sessions
move through the 1958 calendar, reflecting
seasonality. The below image of
two ore extras graces the August 1958
calendar page prepared for his crews.
Tips …

  • Industry and junction yards can be excellent modeling subjects, providing
    desired operations without requiring the space of a division-point yard.
  • Trackage-rights operation can combine railroads with distinct characteristics
    in motive power, commodities carried, etc. at a point in time.
  • Choosing the right prototypical era may include considering desired rolling
    stock, traffic levels, even external events like labor actions.
    … and Trade-offs
  • Friends’ modeling subjects may influence our own choices to avoid duplication
    and repetition.
  • Past favorite modeling concepts and locales may not meet current interests
    (e.g., passenger trains), requiring searching farther afield for prototype
    settings.
  • Branches and secondary lines are often of a modelgenic scope, but mainlines
    may be necessary to provide desired types and qualities of traffic on a
    prototype. – BH
    Upcoming Design and Ops Meetings
    Join the fun and learning by attending one of these upcoming events – or organize one in your area
    NMRA Dallas/Fort Worth– Aug. 20-26, 2023
    We’re planning a full slate of activities at the Texas
    Express 2023 Convention (www.2023texasexpress.com)
    in the DFW area, including the Sunday Meet-and-Greet,
    free layout help sessions, and much more. And, of course,
    the terrific Wednesday LDSIG self-drive Layout Tour. Bring
    your mock-up or poster to exhbit in the SIG Room. Local
    Coordinator is Don Winn; email donswinn@gmail.com
    See some of the Texas Express layouts in this LDJ (pg. 4,
    16), future issues, and on the LDSIG’s web page
    www.ldsig.org
    Your event here!
    Regional LDSIG get-togethers can be as simple as a casual
    gathering in a living room or layout crew lounge. They are a
    terrific way to meet and exchange ideas with other LDSIG
    members and interested modelers near you. Contact Byron
    Henderson (page 2) for useful information, member mailing
    lists, and tips on how to set up a meeting of your own. We’ll
    also publicize your event in the LDJ and on the Internet.
    LDJ
    8 Layout Design Journal www.ldsig.org
    Helpers, TT&TO, and Five Railroads
    Modeling Oregon’s “dry side” on the Oregon Joint Line
    Story and images by Dean Ferris
    The western United States is full of railroads
    sharing routes and trackage, making
    for some of the most interesting railroad operations
    in the country: Tehachapi Pass (SPATSF),
    Cajon Pass (UP-ATSF), the Colorado
    Joint Line (DRGW-C&S-ATSF), Seattle-Portland
    (NP-GN-UP-MILW-SP&S over various
    portions), the northern Nevada Paired Track
    WP-SP, and many others. Railroad development
    came later to the west – after the era
    when every railroad felt the need to have their
    own lines to everywhere.
    In some cases it made sense to share the
    costs of a single line to extend the network
    reach of the participating railroads. The rugged
    topography of the west also made it impractical
    in other cases to replicate routes
    through strategic geographical choke points
    (like Tehachapi Pass).
    Often the shared tracks were required by
    government edicts, in other instances railroads
    were willing participants in these arrangements.
    These shared tracks take various forms,
    but most typically the constructing/owning
    railroad hosts another railroad via “trackage
    rights” through which the tenant pays fees to
    the owner to cover their share of the maintenance
    and operations (such as dispatching)
    costs of the line.
    Prototype joint line inspirations
    My 25’ X 28’ N-scale Oregon Joint Line
    was primarily inspired by two such joint arrangements
    in central Oregon. The Oregon
    Trunk was a shared Spokane, Portland, &
    Seattle (SP&S) and Union Pacific (UP) line
    between the Columbia River and Bend, Oregon
    largely following the basalt rock lined
    canyon of the Deschutes River. Farther south
    the Southern Pacific (SP) and Great Northern
    (GN) mainlines funneled together at Chemult,
    Oregon for the 70-mile run to Klamath
    Falls, the southern Oregon terminals for both
    railroads. This busy single-track line carried
    (and still does) the vast majority of Pacific
    Northwest (PNW) to California tonnage in
    the western US.
    Proto-freelancing for the “home road”
    I would have modeled the Oregon Trunk
    itself, but I grew up along a Northern
    Pacific branchline and it’s always been
    my home road – whereas the Trunk was
    more of a route for GN through traffic
    (GN owned the line south of Bend to the
    Western Pacific connection at Bieber).
    I surveyed a plausible NP route
    from their eastern Washington terminal
    at Pasco down through central Oregon
    meeting up with Southern Pacific and
    Western Pacific mainlines in northern
    Nevada (map at left). This provided a
    reasonably competitive route between
    the PNW and California. But I still liked
    the GN so I got a little crazy and laid out
    a diagonal route through eastern Oregon
    towards Salt Lake City. I imagine that
    both railroads found that the mountain
    pass at the headwaters of the south fork
    of the John Day River would provide the
    best route through the territory, so they
    joined forces on a single line known as
    the Oregon Joint Line (OJL).
    Dean’s proto-freelanced route map incorporates some real-life segments of
    railroads in eastern Oregon while also adding imagined junctions to bring
    in desired railroads, operations, and connections. The Great Northern (bold
    blue) and Northern Pacific (bold green) share trackage rights on much of
    the line.
    LDJ-71 First Quarter 2023 9
    Joint-line benefits
    There are several advantages to modeling
    a joint line. Increased variety of motive power
    and equipment is an obvious one, especially
    when the railroads sharing the line have subsequently
    entered into the power pooling arrangements
    with other railroads. These began
    to proliferate in the late ‘60s/early ‘70s era I
    model.
    Yard operations frequently make for the
    choke-point limiting layout capacity – but
    with a joint line the yard operations of both
    railroads can be modeled, allowing for much
    higher traffic density on the mainline without
    melting-down the session. And these yard operations
    of side by side or daisy-chained (such
    as on the OJL) yards can then offer up one
    of my favorite aspects of railroad operations
    (both in the model and prototype world going
    back to my yardmaster days) – interchange
    transfer runs. These transfer runs (if replicated
    correctly) require close, but often contentious,
    coordination between the yardmasters of the
    competing railroads.
    Operating roles – and attitudes!
    These scenarios still play out every day in
    cities with two or more yards (even on yards
    of the same railroad!) – “I won’t take your
    cars until you take mine”; “You said you were
    bringing me 20 cars but you showed up with
    35”; “You said you were ready for me to deliver
    but your switch engine had me blocked for
    an hour”; “I cleared my lead for you to come
    in but it took you an hour to get here”; etc.
    Sometimes things can get heated, even
    in the model world, but on the OJL it typically
    means a lot of good natured ribbing and
    “sticking it” to your fellow yardmasters which
    ultimately leads to lots of laughter. It’s funny
    how I don’t really have to coach my operators
    on ways to achieve this prototypical behavior,
    it seems to come naturally to them.
    More traffic, more interactions, more
    engagement
    I like to move a fair amount of traffic in
    sessions. I like to see a lot of meets, I like for
    trains to stop and work in yards along the way,
    and I like helper operations. Above all, I encourage
    interaction – this isn’t the layout to go
    hide in a corner and be left alone switching industries.
    A typical through freight crew moving
    across the line will talk to the dispatcher
    several times, they’ll talk to at least two yardmasters,
    they’ll work together with a helper
    crew to get the train over the hill, and they’ll
    likely meet 2-3 trains along the way.
    And I like to keep my regular operators,
    many of whom are professional railroaders, on
    their toes by challenging them with one-time
    scenarios. Many of these scenarios are events
    I experienced while working as yardmaster or
    trainmaster on the prototype – such as a derailment
    up the line yesterday meaning that the
    yardmasters will be dealing with two-day’sworth
    of traffic arriving in the yards today;
    or there’s a train which died on its hours of
    service at the first siding north of the yard that
    On Tour at DFW 2023 Convention
    Dean Ferris’s Oregon Joint
    Line is just one of the layouts
    LDSIG members can visit on
    the Wednesday self-guided
    tour at the NMRA 2023 Texas
    Express Convention in the
    Dallas/Fort Worth area August
    20-26 (along with Jerry
    Hoverson’s layout [page 16]).
    We’ll publish more stories on
    Convention layouts in the next
    LDJ. See page 7 of this issue
    for more information; and look
    for future detailed Convention
    information coming soon on
    the LDSIG’s website.
    A southbound Northern Pacific train winds its way through the doublesided
    basalt canyon of Picture Gorge. The only reasonable operator
    viewpoint for Picture Gorge is at the head of the canyon, so with N
    scale’s small size and a viewing distance of at least three feet there
    was no need to model wire on the slide fences which contribute so
    much to the credible look of the scene. – DF
    “… keep my
    operators, many
    of whom are
    professional
    railroaders, on their
    toes by challenging
    them …”
    10 Layout Design Journal www.ldsig.org
    must be “dog-caught”* by the switch crew before
    they can began their regular work putting
    them behind for the entire session. My regular
    operators never know what challenges might
    pop up, which keep things fresh.
  • When a real-life railroad crew exceeds their allowable
    hours on the job, they must stop wherever
    they are. A “dog catch” crew is driven out to operate
    the train to the closest terminal. – BH
    1 sq. ft.
    When Dean was able to expand into more space, he eliminated a helix in favor of multiple
    peninsulas to provide running room for grades that depict the geographic locale and still provide
    headroom for staging beneath the visible layout. The turnback curves (“blobs”) are typical of reallife
    railroads battling grades in the modeled area.
    Losing a band, “unwinding” a helix
    Starting our layout tour (track plan below)
    from the north end we come first to GN Junction,
    which is where the mainlines of the NP
    and GN pop out of staging and combine to
    become the Oregon Joint Line. Immediately
    adjacent is Lone Rock siding – part of my
    “unwound” helix. Originally, I built a helix to
    connect the lower staging deck with the main
    deck. But when additional mid-room layout
    Lone Rock
    below
    LDJ-71 First Quarter 2023 11
    space became available after my rock band
    broke up, the helix was “unwound” into a peninsula
    which contains what I consider the best
    scenery on the layout.
    Part of that unwinding included increasing
    the grade through Lone Rock so that by
    the time you get to the south siding switch
    there’s only 7” spacing between decks (photo
    top right). Conventional wisdom would tell
    you that this is unworkable, but by having the
    mainline and passing siding up against the
    aisle (no reason to reach back into the scene)
    it works just fine. Again, the alternative was to
    hide this track deep in a helix so, heck yeah,
    that’s a compromise I’d make every time.
    Mountain topography to the rescue
    The mainline next enters a tunnel and
    then pops out in Picture Gorge. There is a bit
    of back-tracking around the peninsula in this
    area, which experts would tell you is another
    big no-no as you can’t follow your train. The
    reason it works in my case is that Picture Gorge
    is a double-sided canyon and you can’t really
    follow your train anyway – you’re forced to
    soak up the view from the head of the canyon,
    which happens to be the most scenic feature
    on the layout (photo lower right).
    “Disruption” adds interest
    The OJL tracks continue upgrade along the
    South Fork of the John Day River (which they
    follow for 35 feet) reaching the dispatcherhating
    shortest passing siding on the layout at
    Fossil. Across the river is the log-loading terminal
    of the proto-freelanced Oregon & Northeastern
    Railroad (O&NE) at Canyon Reload
    (photo page 13). The OJL and O&NE continue
    to parallel each other on opposite sides of the
    river up to the point that they cross at the automatic
    interlocking at O&NE crossing.
    The arrangement here is intentionally disruptive
    to mainline operations by having the
    O&NE’s typical switch lead head-room extend
    through the first-come/first-served interlocking.
    Scanlon Yard is the O&NE’s major
    terminal where pulp and plywood mills consume
    the logs brought in from Canyon Reload
    and supply a large amount of outbound forest
    products for interchange to the GN and NP.
    (Too?) big yard
    Next up is NP’s “Big Monument” industrial
    park, a nod to NP’s “Big Pasco” indus-
    Obviously 7-inch spacing between decks is too tight, correct?
    By placing the mainline and siding up against the aisle,
    and limiting the depth of the scene, this arrangement at the
    south end of Lone Rock siding allowed me to joyfully kill my
    helix. – DF
    Tracks winding through steep double-sided canyons make
    for some of the most spectacular sights in railroading, but the
    need for access in case of maintenance or derailments makes
    this feature tough to model. By placing the far backdrop on the
    inside of the fascia with a narrow access aisle behind it, I’m
    able to reach every point within the canyon thanks to a hinged
    portion of backdrop on the lower end of the canyon where a
    creek allows for a break in the canyon walls. – DF
    12 Layout Design Journal www.ldsig.org
    trial park near their hump yard at Pasco, WA.
    Big Mo has a pig ramp and large fruit loading
    cold storage which generate lots of high priority
    traffic, mostly bound for eastern markets
    via Pasco. NP’s Monument Yard is the largest
    on layout and its nine tracks provide over 200
    cars of capacity.
    If I had to do it again I’d make it a bit
    shorter, as there’s a fair amount of track at
    the north end that doesn’t get used much (the
    south lead is where classification typically
    takes place). Past Monument’s loco servicing,
    car shops, and MOW (Maintenance-of-Way)
    compound we reach Great Northern’s 7-track,
    120-car capacity Dayville Yard, which serves
    as their major terminal on the layout.
    Prototype-inspired switching
    Immediately in front of Dayville Yard is
    NP’s 7th Avenue industrial spur, which is a nod
    to my switching days back in Seattle working
    the 7th Avenue Job. This twenty-foot-long
    spur is all “other than main track” so there’s
    no calling the dispatcher for authority – it’s all
    stop-before-you-hit-something territory. The
    reason I can comfortably place a busy industrial
    spur in front of a large yard on the same shelf
    is that it’s N-scale – trying to squeeze the same
    arrangement into HO would be folly! There’s
    The QRG at Snowline. I’ve always loved the way railroads look when viewed from
    below when the tracks are carved into a rock shelf on steep slopes – DF
    a lot of interaction between the
    three yards in this terminal,
    which is very loosely based on
    SP, GN, and forest-products
    shortline Oregon, California, &
    Eastern operations at Klamath
    Falls, Oregon.
    Help to make the grade
    We exit the terminal area
    southbound past the three-track
    7th Ave. industrial-support yard
    and begin climbing the 2.2%
    incline to Snowline, which is
    the steepest grade on the layout.
    Nearly all southbounds, other
    than passenger and piggyback
    trains, will have picked up a
    helper loco (typically a single
    GP7) after completing their work
    at Dayville or Monument.
    Many folks would consider
    N-scale helper ops a bit risky but
    it tends to work pretty well for us
    depending on the throttle coordination
    between the two operators. Snowline
    siding (photo upper left) at the top of the hill is
    a frequent meeting point for trains and typically
    the spot where helpers will cut out. Heavy
    traffic and large operating crews sometimes
    dictate the use of two active helper crews on
    the layout simultaneously and the dispatcher
    will have his hands full dealing with two helper
    trains meeting at Snowline.
    Adding-in the UP
    Over the top of the hill we drift down
    the 1.8% grade past the ballast pit at Basalt,
    a common destination for work trains (which
    run almost every session) on the layout. The
    next siding at Emigrant is the location of a
    large lumber mill and the connection with
    Union Pacific’s Burns Branch. UP has trackage
    rights from Emigrant down to NP’s Silvies
    Yard where the two roads interchange.
    Busy yard, challenging job
    Silvies Yard is probably the toughest assignment
    on the layout due to all of the activity
    and traffic volume it handles within its
    cramped footprint. It’s the base for the Emigrant
    Local, the interchange point for UP’s
    Burns Local, the serving yard for the large
    Graystone cement plant, and the Silvies yard
    “If I had to do it
    again I’d make [the
    yard] a bit shorter …”
    LDJ-71 First Quarter 2023 13
    (Above) Depending on your goals for the layout, “blobs” can sometimes become an
    asset. The apex of a blob can make for great vantage points for my favorite style of
    “see the entire train” photography which is common in the arid western states. Here
    I’m standing (apparently) on top of “Blob Knob” shooting over the top of the horseshoe
    curve as the Oregon & Northeastern “Logger” departs Canyon Reload while an NP
    southbound climbs the Oregon Joint Line grade across the river. The two trains will
    race to get to the first-come/first- served automatic interlocking at O&NE crossing, but
    in this case the NP hare will likely beat the Logger tortoise.
    (Right) Big spaces in N scale
    make for big scenes – such as
    Curve 57, which is named for
    its 57” radius (the HO equivalent
    would be 105”). Even the
    longest passenger equipment
    looks good on curves this
    large. – DF
    [Yes, this is N scale! – BH]
    14 Layout Design Journal www.ldsig.org
    Beyond Silvies is Humboldt Junction
    where the GN and NP split and the line to
    Westpine begins. The Westpine mill complex
    was a late addition to the layout after the dispatcher
    was moved out of this area into a newly
    constructed office. The Anderson
    & Middleton crew begins
    the day by bringing in their log
    train from the woods (staging),
    then switching the log dump and
    mill tracks, followed by sorting
    out the outbound “commercials”
    for interchange to the NP and UP,
    and then returning to the woods
    with their log empties.
    Staging – seen and unseen
    NP staging is visible and
    scenicked at the north end and
    continues under the backdrop
    into the staging deck, where it
    shares the shelf with GN staging.
    There are stacked reversing
    loops at both the north- and
    south ends of staging which allow
    for easy turning of trains
    between sessions. There’s also
    a two-track continuous-run connection
    between the north and
    south staging yards – one track
    hosts a loaded coal train and the
    other an empty – so that opentop
    loads and empties are always
    going in the right direction.
    Blobs aren’t so bad
    Scenically the Oregon Joint Line makes
    great use of N scale’s ability to provide wideopen
    spaces. I know some would take issue
    with the three “blobs” on my layout but these
    make for some of the best photography vantage
    points.
    Shooting down the tracks leading up to the
    apex of the blobs offers the western style of
    “see the entire train” photography that I love
    (photo top page 13). And Oregon may well
    have the highest density of prototype blobs per
    track mile of any state with all of its canyon
    and mountain routes!
    Busy mid-run yard a worthwhile
    compromise
    The major terminal containing NP Monument,
    GN Dayville, and forest products short-
    The Anderson & Middleton “Westpine” operation was a late addition to the layout
    after space was made available when a proper dispatcher’s office was constructed
    elsewhere. Large lumber mills can easily cover dozens (or even hundreds) of
    acres, making them tough to model convincingly, So I was determined to dedicate
    enough space to allow for a log deck that looked like it could supply the mill for
    days rather than hours. Behind the log deck is the lumber drying shed on the left
    with the main mill building on the right. Beyond that are the dry kiln and lumberand
    chip loading tracks in the distance. – DF
    Tips …
  • Trackage rights and other joint-track arrangements provide
    modelgenic mixes of equipment and operations.
  • Turnback curves (“blobs”) may be designed to create deep
    scenes, control sightlines, and still offer good access (especially
    in N scale).
  • Shallow scenes make tight tier-to-tier clearances less visually
    objectionable.
    … and Trade-offs
  • Mid-run major yards may make TT&TO operations challenging
    due to inconsistent dwell times.
  • “Geographically correct” proto-freelance concepts may leave out
    desired prototypes or locations, requiring some compromise.
  • A yard can be too long. – BH
    job also performs interchange transfers with
    yet another forest products shortline, Anderson
    & Middleton’s Westpine operation. It’s
    also the point where helpers get added for the
    northbound run to Snowline.
    LDJ-71 First Quarter 2023 15
    line O&NE Scanlon yards has turned out to
    be a bit awkward in that it is more or less in
    the middle of the layout. This wasn’t the original
    intention – the plan was to have lowerdeck
    staging leading into a helix which would
    dump out directly into the terminal complex
    on the main deck. But as mentioned earlier,
    when I unwound the helix into a peninsula it
    placed the terminal between two passing sidings
    to the north of the terminal complex and
    three to the south.
    Central yards harder for TT&TO
    This is a compromise I would make again;
    as it allowed me to convert a hated helix into
    a scenic highlight and extend the visible mainline
    by more than fifty feet. But operationally
    the mid-layout terminal does not conform
    well to Timetable-and-Train-Order (TT&TO)
    operations because the dispatcher has limited
    awareness as to what trains are up to while
    working in the terminals in the middle of their
    runs. It’s tough for the dispatcher to react to
    unpredictable departure times; not only for
    trains entering the layout from staging yards
    at both ends, but for trains exiting the central
    terminal complex in both directions as well.
    It would’ve been better to have terminals on
    View Dean’s layout on his YouTube channel:
    www.youtube.com/@oregonjointlinemodelrailro4125
    “… better to have
    terminals on both
    ends with five
    passing sidings
    between them.”
    both ends with five passing sidings between
    them. For now we continue to use our unique
    form of Timetable-and-Train-Order to keep
    things moving.
    I plan to open the layout for tours and op
    sessions during the 2023 Dallas/Fort Worth
    NMRA convention, so I hope to see many of
    you there.
    LDSIG Web Volunteers Needed
    We need two volunteers to help with the LDSIG’s website
    to replace those who have stepped down due to other
    commitments.
    Web Content Manager
    The first position would be great for anyone who is
    comfortable with a computer and using the Internet. The
    Web Content Manager will publish content to our web page,
    currently on a Squarespace hosting platform with a simple
    user interface. This will move to a WordPress solution in the
    future.
    The Web Content Manager will receive posting requests
    from a handful of volunteers and then publish them to the
    web page. Little to no programming knowledge is needed
    and training will be provided. The volunteer should have a
    good internet connection and be comfortable working on a
    computer. If you are interested in this role, please contact
    Chris Mesa at cmesa57@gmail.com
    Webmaster
    The second position is LDSIG Webmaster: Along with
    Chris, this person will help migrate the site to a new platform.
    The volunteer should know about web page development,
    have a good internet connection, and php language
    knowledge would be helpful. The tasks that we will be doing
    include:
  1. Development of a new proof-of-concept for a new website
  2. Migrate the current dual website (.net & .org) to a single
    WordPress platform
  3. Migrate current php databases and interfaces to the new
    platform.
  4. Improve LDSIG Primer usability.
    If you are interested in the Webmaster role, again please
    contact Chris Mesa at cmesa57@gmail.com
    LDJ
    LDJ
    16 Layout Design Journal www.ldsig.org
    Roll-under Benchwork
    “People tunnels” ease wiring and maintenance
    Story and images by Jerry Hoverson
    Welcome to the Rocky Mountain Central
    (RMC) and the Colorado Pacific (CP).
    The RMC is the HO standard-gauge half of
    the layout and is based on the Denver & Rio
    Grande Western. The CP is the HO narrowgauge
    half of the railroad and is based on the
    Rio Grande Southern. The CP is a subsidiary
    of the RMC and provides raw materials such
    as coal, lumber, produce, and livestock to the
    RMC for processing into finished products.
    These finished products are then distributed
    between RMC territory and CP territory for
    consumption.
    The overall track plans at left show the
    Staging level under the Main level. Black lines
    are RMC standard gauge, blue lines are CP
    Narrow Gauge, and red lines are dual-gauge.
    The RMC trains are turned on the staging wye
    under the CP by the dispatcher using JMRI*
    and cameras. The CP staging is a reversing
    loop with three tracks that each are electrically
    divided into three sections – so nine trains can
    be stored. Again, the dispatcher will run a train
    around the loop from Buena Vista to Leadville
    using JMRI and cameras.
    House-hunting with an eye to
    elevations
    The unique aspect of this railroad is the
    benchwork and height of the layout. My previous
    layouts pretty much all followed standard
    benchwork designs and heights – and
    those worked out fine at the time. However,
    as all of us do, I got a bit older and then had
    hip-replacement surgery resulting in not being
    as flexible as I used to be. So, when the wife
  • Java Model Railroad Interface
    www.jmri.org
    Room
    Entrance
    Room
    Entrance
    RMC
    Std. Gauge
    Dual Gauge
    CP Narrow
    Gauge
    1-foot grid
    Not reproduced to scale
    Jerry’s HO layout is inspired by famous
    Colorado railroads. Staging tracks are
    managed by video monitor and JMRI software.
    Nominal visible track height is 65”,
    but this is reduced to his ideal 44” effective
    elevation by raising the aisles to 21” above
    the floor. This results in room below the
    benchwork for roll-around access.
    LDJ-71 First Quarter 2023 17
    wanted more land to be able to garden on, we
    started looking for a new house.
    Quest for 12
    One of the main criteria was to have space
    for a new layout, of course. But not just any
    room – I was looking for a room with a 12’
    high ceiling. The idea was that I would build
    the layout high enough to walk under the layout
    to do all the electrical work. Well, as luck
    would have it, nothing was available with 12’
    ceilings. And then our house sold and we had
    to get moving (pardon the pun). We found our
    current home with an outbuilding that was big
    enough and had 10’ ceilings. The deal was
    made and planning began.
    Wheels are wonderful
    With 10’ ceilings I could still accomplish
    my goal but would have to sit on a rolling
    stool instead of walking under the layout. As it
    turns out, this worked out much better anyway.
    The first thing I did was to purchase a rolling
    stool, sit on it, roll against a wall and make a
    mark on the wall for the bottom of a 2X4 that
    would support joists for the layout (photo top
    right). This gave me approximately 4’ clearance
    as I worked under the layout
    on a stool – without having to crawl
    around on my hands and knees.
    Once minimum standards were
    determined, construction began using
    2X4s, a framer’s nail gun, and
    Liquid Nails™. Each section was
    pre-built, just like the walls of your
    house, and then set in place using
    Liquid Nails to secure it to the concrete
    and then nailed to the section
    next to it.
    The ideal elevation
    For those of you who need to
    know the numbers: the staging level
    is 58½” above the floor and the
    main level is 65” high. OK, that’s
    a little high for viewing and operating,
    which means the aisleways also
    needed to be raised. I typically like
    my layout at 44” elevation; that’s
    what is comfortable for me and
    still gives me a long-enough reach.
    So doing the math, 65” minus 44”
    equals 21” high floors in the aisles
    (see photo at right).
    Jerry’s friend Bart, the Vice President of the
    railroad, testing out the clearance for the
    future rolling access beneath the finished
    benchwork. 2X4 construction supports the
    1X4 joists. (Sadly, Bart is no longer with us as
    he passed away a couple of years ago. – JH)
    Many interesting elements are in view here. Note the raised plywood aisleway
    floor, sturdy 2X4 construction, hard-surface Masonite skirts replacing the typical
    fabric, and AC convenience outlets. Valances were built along with benchwork
    for easier access, suspended from the ceiling. Track plans must be solidified
    before building in this fashion!
    18 Layout Design Journal www.ldsig.org
    Oh, I also wanted a valance – so that had
    to be built at the same time so I wouldn’t have
    to lean over the built-up layout to install it.
    The valance was built the same way, but using
    1X2s instead of 2X4s and then hung from the
    ceiling with anchors and screws.
    Hiding the clutter, er, storage
    Another advantage of this method of
    benchwork is that it allows for a hard-surface
    skirt below the layout instead of hanging fabric
    under the fascia to cover all that ugly stuff
    under the layout. I used Masonite™ for that
    purpose. If you look closely, you will also see
    electrical outlets on the skirt that provide power
    for tools, vacuums, and whatever needs it.
    I then built view-block walls down the
    middle of the peninsulas that only reach from
    the top of the joists to the ceiling (photo top
    left). These were also covered with Masonite.
    I curved the Masonite in the corners using a
    24” radius to provide a seamless transition and
    then continued the Masonite along the outside
    walls (photo middle left). This gave me
    a smooth surface to paint sky and clouds then
    add slight relief to the backdrops.
    The final step before laying track was to
    paint all the surfaces (photo bottom left).
    Accessing the access
    So now you ask, “How do you get under
    there to do your work?”
    The first, and Primary Maintenance Access,
    is just as you come in the room (photo
    page 19, top left). The blue arrow shows the
    access and maintenance path used during operating
    sessions (if necessary) so as not to disturb
    train movements or operators in the aisles.
    Note the steps up to layout height on the right
    (red arrow). Also note the lighting under the
    layout to make work much easier.
    There are also two sliding doors under
    the layout that can be used to slip underneath
    (photos page 19, lower left). One is in the opposite
    corner of the layout from the primary
    access at the room entrance. There is another
    door just like this one in the front corner of the
    room under Durango.
    Finally, there is a “hidden” access at the
    end of the peninsula between Antonito and
    Pagosa Junction on the narrow gauge. This is a
    lift-out (page 19 upper right), made from blue
    foam insulation board and using Geodesic
    Foam to create the rocks. This would not have
    Horizontal joists have been added on top of the 2X4 framework,
    along with framing for the double-sided backdrops. Note that this is
    fairly lightweight and reaches to the ceiling inside the valances.
    The look of the layout is coming together with a coat of paint on the
    valances and backdrops. The roadbed laid in place here is for staging;
    standard-gauge RMC in the foreground and the narrow-gauge
    CP loop on the far lobe of the benchwork. The backdrop is tied to the
    inside of the valance for stability.
    LDJ-71 First Quarter 2023 19
    (Left)Two sliding doors in the Masonite skirt below the layout offer
    access to the “people tunnel” beneath. One is shown here in
    the closed- and open positions. Note also the slots in the fascia
    to allow access to the staging tracks from the raised aisle. These
    additional access points avoid a long walk all the way around the
    layout from the primary access.
    The large liftout in the photos above is
    another access point at the end of a
    peninsula. Made from lightweight blue
    extruded foam with resin rock castings, it
    is easy to move and resistant to chipping
    and cracking. Note steps down to the
    floor from the raised aisle.
    At left is the main entrance
    to both the layout (red arrow)
    and the subterranean
    access “tunnel” below the
    layout (blue arrow). Only a
    couple of steps are needed
    up to the raised floor; and
    a rolling stool eases movement
    within the access
    space, which is well-lighted.
    The sign on the fascia
    reads: “Welcome to Jerry’s
    Station; Presenting the
    Most Scenic Routes in
    America” (echoing the tourist
    marketing slogan applied
    to the D&RGW narrow
    gauge in the 1950s).
    20 Layout Design Journal www.ldsig.org
    Walkin’ and Rollin’
    Jerry’s construction concepts are similar to some published walkunder
    designs, although those often require even more vertical height
    in the room to allow true walk-under access. John Armstrong described
    the idea for the “Petrograd Society of Model Engineers” design in
    Creative Layout Design (Kalmbach 1978, out of print). It’s also seen
    on the California Central Model Railroad Club layout in Santa Clara,
    CA, designed by LDJ author Rick Mugele. A very large and well-known
    example is the La Mesa (San Diego) Model Railroad Club’s Tehachapi
    layout (designed by Anton Andersen and David Willoughby). A number
    of club and large home layouts have walk-under portions.
    A real advantage of Jerry’s method is that it does not require
    exceptionally high ceilings or a lot of steps up to the aisles. Rolling
    around on stools allows easy access with less benchwork material than
    full walk-under – and would be possible in more rooms. While this does
    not extend the usable length of the layout, as would mushroom-style
    benchwork, it does offer an interesting alternative to traditional singledeck
    layouts for easier wiring and maintenance. – BH
    been possible using plaster – it would have
    been way too heavy and chip too easily.
    Access – and more!
    There are a few more advantages to
    using this technique. First, 2X4s are typically
    cheaper than 1X4s with 2X2 legs and
    the build goes up much faster, especially if
    you have a framing nail gun and compressor.
    Second, the layout is super strong; in
    fact you could support yourself on top of it
    and be confident it will support you. Third,
    the raised aisles provide storage space
    under them for anything that would normally
    be stored under the layout and either
    seen or hidden with a fabric skirt. Fourth,
    as I mentioned before, the hard-surface
    skirt below the layout provides a space to
    mount electrical outlets, so you are never
    far away from power and don’t need extension
    cords. Fifth, it presents a neat, uniform,
    and professional appearance to the
    layout that lets the visitor concentrate on
    the layout itself – not the junk under it.
    One final advantage is that the electrical
    connections for the layout can now
    be mounted horizontally on the inside of
    the wall (photo at left) and that minimizes
    the amount of work you must do over
    your head on the bottom side of the layout!
    Saves a lot on the neck strain!
    If you’re planning to build a new
    layout, I hope you’ll consider this
    technique. And I hope that you will visit
    during the 2023 National Convention here
    in North Texas.
    How nice to be able to install and maintain
    wiring in a spacious and well-lit place! Jerry
    works comfortably at eye-level, thanks to
    a rolling stool. Tools are right at hand, and
    wiring documentation is posted nearby.
    At the bottom left is seen storage under
    the raised aisle floor. This photo was
    taken below the Glenwood Springs/Grand
    Junction lobe of the layout.
    LDJ
    LDJ-71 First Quarter 2023 21
    Appalachian Town in 10 Turnouts
    Two railroads serving natural-resource industries
    by Richard Turton
    My railroading interests are focused mainly
    on the Appalachian region (see the story on
    Richard’s layout in LDJ-69, Second Quarter
    2021). As such, raw material processing (coal,
    coke, and sand) and glass manufacturing
    are areas of modeling interest to me. What I
    wanted to do in this “challenge” was to see
    if I could combine all these industries into a
    simple layout plan that would provide a realistic
    setting with significant operating interest.
    Two-railroad town
    The fictional town of Glassko, unlike its
    phonetic Scottish namesake, is located in the
    Appalachian region of the Eastern United
    States. The town serves as an interchange
    point between two eastern railroads, for example,
    the B&O and Western Maryland. The
    railroad coming from the east (right on the
    track plan below) is designated “ER” and the
    railroad coming from the west (left) is designated
    “WR.”
    The ER serves two industries in Glassko,
    namely a sand processing plant and a glass
    plant. The WR serves a coal mine and a beehive
    coke facility in Glassko. These four industries
    are somewhat interdependent and
    allow cars to move between them as well as
    to and from staging. There is an interchange
    track between the ER and WR included in the
    track plan. Typical operations are discussed
    later in the article.
    A linear plan for any shape
    The HO track plan is C- or U-shaped.
    However, it could be straight or L-shaped depending
    on the space available. The design
    uses #5 turnouts throughout and has a minimum
    radius of 27 inches. Each industry has
    access to a runaround; and this accounts for
    Richard’s ten-turnout track plan centers on relatively large natural-resources industries.
    Tall structures like coal tipples and water towers help disguise the entrances to staging for
    the two railroads that meet in the imaginary Appalachian town of Glassko. Numbers on
    the plan are the count of turnouts.
    “… a realistic setting
    with significant
    operating interest.”
    22 Layout Design Journal www.ldsig.org
    eight turnouts with the interchange taking
    the final two turnouts and a crossing.
    Staging for both the east- and westbound
    traffic is comprised of cassettes that lift in
    and out of the staging areas.
    The design is relatively simple
    in the interest of making switching
    straightforward, with the interchange
    track adding interest as small loads from
    the mine and glass plant are interchanged
    between railroads. The coal and coke
    facilities are on a branch line of the WR
    that terminates in Glassko. In real life, it
    would be unlikely that both the ER and
    WR branches would terminate in Glassko.
    However, for the sake of this design,
    through traffic operations, going west on
    the ER, are not simulated.
    The coal and coke plants utilize separate
    tipples. The coke plant is supplied its
    raw material (coal) from a mine tipple via
    a separate designated track. The idea is
    that a “larry car” shuttles from the tipple,
    where it takes on coal, to a beehive oven
    where it dumps the coal load through
    a hole in the top of the structure (photo
    above left). The larry car then returns to
    the tipple to collect more coal and repeat
    the process for the next coke oven. Visually,
    this makes an interesting feature, especially
    if it is automated with the larry
    car moving back and forth for the period
    needed to charge all the coke ovens.
    Coal and Coke are King on the WR
    Operations on the WR allow for coal
    trains of five 55-ton hoppers to service the
    mine with empties coming from the west and
    full loads returning to the west. In a similar
    manner, trains of three empty gondolas move
    from west staging to the coke plant and return
    to the west with full loads of coke.
    Because the track running from the tipple
    to the coke ovens is elevated by 10-15 scale
    feet, it is difficult to have a single tipple serving
    both the mine and the coke ovens. Therefore,
    a separate tipple is used for the coke ovens.
    The location of this tipple is chosen to act
    as a view block for the point at which the ER
    passes through the backdrop.
    Frequency of traffic might be one coke
    train for every two or three coal trains. The
    movement of coal and coke trains provide a
    significant amount of switching on the WR.
    This fascinating photo from 1974 at Bretz, West Virginia shows a battery
    of coke ovens in various stages of being emptied and loaded. The selfpropelled
    larry car above the ovens charges them with coal. The ovens
    are then bricked-up and the coal is heated in the absence of air to create
    coke. Once processed (and quenched with water), the still-hot coke is
    raked out and loaded into hoppers or gondolas for delivery to customers.
    Richard’s plan is based on a similar set-up with the larry car track
    about 10-15 feet above the coke ovens and serviced by its own tipple (not
    shown). In the photo, a movable conveyer is being used to transport the
    coke to waiting railcars. Photo by William E. Barrett for the National Park
    Service and placed in the Public Domain. Library of Congress Historic
    American Engineering Record HAER WVA,39-BRETZ.V,1-4.
    Tips …
  • A location with two mostly independent railroads can support
    two operators with a relatively simple track plan and basic wiring,
    if desired.
  • Interchange focused on a small amount of local industry-toindustry
    shipping is plausible, especially for bulk commodities that
    load- and unload easily.
  • Cassettes and other removable staging allow quick swaps of
    open-top loaded and empty cars. – BH
    … and Trade-offs
  • In order to make operations on the four industries relatively
    straightforward and avoid a timesaver/puzzle situation, eight of the
    ten turnouts were used to provide runarounds at the four industries.
  • Once the interchange was added, the only way to provide enough
    staging was to use cassettes, which is somewhat inconvenient.
  • Through traffic for the ER passing through Glassko is not
    simulated. – RT
    LDJ-71 First Quarter 2023 23
    In conjunction with the regular movement of
    coal and coke into and out of staging, the glass
    plant situated on the ER requires one or two
    loads of coal per week/operating session to
    fuel the glass furnace. By agreement between
    the ER and WR, this is supplied by the local
    mine via the interchange track.
    A railroad with glass
    Looking now at operations on the ER, the
    main traffic focuses on covered hoppers that
    ferry sand product(s) from the sand processing
    plant to staging with empties being shuttled
    from staging to the sand plant. However,
    one or two carloads of sand per week/operating
    session are required as raw materials at the
    glass plant and so some of the covered hoppers
    move away from staging and head down
    the track via the crossing to the glass plant.
    Sand represents about 70% of the raw materials
    required for glass production with the
    other 30% of raw materials comprising fluxing
    agents (soda ash), dolomite (to reduce viscosity
    and improve scratch resistance), limestone,
    and pigments. All the raw materials would be
    transported by covered hopper, except for the
    pigments that would be sent by box car. Thus,
    covered hoppers from other railroads will appear
    in order to supply the bulk ingredients.
    Some of these cars and/or the box car
    with the pigments could originate from the
    WR staging and require being left in the interchange
    for final delivery to the glass plant.
    Likewise, finished glass products would be
    shipped by box car and some could head west
    via the interchange as well as east. A water
    Glass Plants are typically huge, but this 1974 photo of a portion of the
    famous Seneca Glass Company in Morgantown, West Virginia shows
    a lot of verticality that would be useful in suggesting scope but without
    requiring too much surface area on this track plan. Another photo by
    William E. Barrett in the Public Domain. Library of Congress
    HAER WVA,31-MORG,1–1
    tower was also added to act as a view block
    for the WR passing through the backdrop, like
    the tipple for the coke plant.
    Fun for one … or two
    In conclusion, there is a wide variation in
    the operations and rolling-stock types associated
    with the small town of Glassko – I think
    such a layout could keep a pair of operators
    busy for many hours.
    LDSIG Back Issues – a valuable resource
    Every issue of the Layout Design Journal (and the
    earlier Layout Design News) is packed with design ideas,
    tips – and of course, lots of track plans as examples for
    layouts large and small.
    Nearly all past magazines are available as paperback
    issues for purchase. Convenient on-line indexes will
    guide you to articles covering the concepts, techniques,
    and layout keys that will help you learn to “Make Only
    New Mistakes” – order today! See:
    www.ldsig.org/ldj-index or
    www.ldsig.org/ldn-index
    … for descriptions.
    And visit:
    www.ldsig.org/publication-back-orders
    … to download a Back-Issue Order Form
    LDJ
    24 Layout Design Journal www.ldsig.org
    10-Turnout Branch Terminus
    Portion of a larger design refined as a standalone layout
    by Robert Stafford
    Pen Argyl Branch
    HO scale, 2’ X 9’6” plus staging
    1 foot grid
    24” min. radius
    Atlas Code 83 #4½ (“#4”) turnouts
    No grade
    Hyatt School Slate Co.
    Pen Argyl Milling Co.
    Albion Vein Slate Quarry
    Slate Scrap Pile
    Freight House
    R&R Toy Mfg. Co.
    Staging
    The line from the Pen Argyle scene in the closet connects to the rest of the layout on the
    author’s home plan. For this article, he has substituted a small staging yard. He plans to
    remove the closet doors. Track and industry arrangements don’t duplicate the prototype
    location exactly, but the types of commodities handled are the same.
    When I designed the trackage to represent
    Pen Argyl, Pennsylvania on my HO Bangor
    and Portland Railway, I realized after the fact
    that it was a 10-turnout-or-fewer track plan.
    The track plan is designed to fit into the closet
    of a 10’ by 12’ bedroom that I will be using to
    construct my new layout.
    Inspiration, not replication
    On the prototype the Pen Argyl Branch
    left the main track at Pen Argyl Junction and
    extended about two miles total into the east
    side of the Borough of Pen Argyl to the freight
    house. (The map on page 25 does not include
    the branch.)
    Two tracks extended beyond the freight
    house, one several miles long, to service several
    slate quarries and a structural slate factory.
    Just beyond Pen Argyl Junction was a
    5-car double-ended spur that originally served
    the Albion Slate Quarry. In later years it was
    used as a team track.
    The track layout (lower left) is not in any
    way true to the prototype. It was designed to
    fit inside of a closet and does not reflect the
    actual layout of the trackage at Pen Argyl.
    Likewise, the industry buildings are structures
    I had built for my prior layout and are not actual
    models of buildings located in Pen Argyl.
    “Slated” for operation
    The trackage into the Albion Quarry is
    more representative of the two spurs that
    served the Jackson-Stevens Quarry. One of
    the stub spurs runs alongside a sand storage
    bin and a boxcar loading platform. The other
    stub spur is used to unload hopper cars of anthracite
    coal for the boiler house and for use in
    the slate shanties which each had a coal stove
    in them for heating. The hopper cars are unloaded
    using a portable conveyor belt to move
    the coal to the ground storage pile.
    Hyatt School Slate Factory was an actual
    industry in the Slate Belt located at Bangor.
    They shipped out box car loads of school
    slates. This building is a modified Walthers
    Cornerstone Greatland Sugar Company kit.
    LDJ-71 First Quarter 2023 25
    R&R Toy on the prototype used the Albion
    Runaround Track as a team track. They
    received inbound box cars of polyfill for use
    for stuffing the stuffed animals they manufactured.
    The polyfill came from a southern location
    in Chesapeake and Ohio box cars. R&R
    Toy shipped out boxcar loads of stuffed animals
    to various retail distribution centers on
    the east coast. This building is scratchbuilt.
    On my own version of this layout, I will
    include a non-prototypical rail-served dairy
    (see sidebar bottom right). But for this story,
    I have instead placed a feed dealer, which receives
    box cars of grain and additives to make
    livestock and poultry feed. The actual Lackawanna
    Bangor and Portland Branch had two
    such mills located elsewhere. I also plan to
    scratchbuild a model of the brick freight house
    that the Lackawanna built to replace the original
    wooden station.
    Operating the branch
    The Pen Argyl Branch was served by the
    Pen Argyl Drill (photo middle right). This job
    came on duty at the branch’s Bangor Terminal.
    The drill went to Pen Argyl, did the local work
    there, and then went down the Martins Creek
    Branch to interchange cars with the Pennsylvania
    Railroad and the Lehigh and New England
    at Martins Creek.
    On my own layout the branch trackage
    comes off the rest of my railroad at Pen Argyl
    Junction. For this article the connection to the
    main track is represented by a staging track on
    which the inbound train can be assembled.
    If you have the room for a runaround track
    and two storage tracks this would allow you to
    switch out your train after arriving from Pen
    Argyl and building your next inbound train to
    go to Pen Argyl. If the length of space is restricted,
    a sector plate could be used instead of
    a switch and tail track.
    The Pen Argyl Drill will come up the
    branch from staging on this layout. After
    switching the industries at Pen Argyl, the crew
    will return back to staging. After a runaround,
    the crew will build “tomorrow’s” train in the
    clear track it used for the runaround move, and
    then set its (now) inbound train over onto the
    storage track.
    Depending upon the era you are modeling,
    a wide variety of locomotives have been used
    on the Pen Argyl Branch: from 2-8-0 steam to
    ALCOs to EMD Geeps.
    The Bangor and Portland Railway was acquired by the
    Delaware, Lackawanna, and Western in 1903. After many
    mergers and acquisitions, portions are now operated by Norfolk
    Southern. Public Domain map via the Open Street Map project
    The Pen Argyl Drill is spotting boxcars at the freight house for slate
    loading in June of 1974. Erie Lackawanna ALCO C424 #2403 has a
    year or two more before Conrail takes over. Note that the caboose is
    for now just two cars back of the engine as the crew does their work
    amidst the weeds. Robert Houser photo, used with permission.
    Got Milk?
    I have memories as a kid of the Lackawanna Railroad’s milk trains
    that operated on the Sussex Branch in northern New Jersey. I wanted
    to include these memories on my model railroad. My dairy building is
    kitbashed from two Walthers Cornerstone Brookside Dairy Kits. It will be
    serviced by a daily train to take the milk to Hoboken, New Jersey for use
    in the New York City area market. (There actually was a Slate Belt Dairy
    that processed locally produced milk for local distribution in the modeled
    area, but it was not rail-served.) – RS
    26 Layout Design Journal www.ldsig.org
    Making a layout from a closet
    I am removing the doors from the closet. I
    will build a shelf with a valance above the layout
    to frame it into the closet like a diorama.
    LED strip lighting will be installed under the
    shelf to light the layout. I plan on painting the
    valence and fascia of the layout black to finish
    that museum diorama look.
    (Above) Photo taken from the
    Albion Vein slate scrap pile
    showing the quarry hole as
    a Lackawanna train pulls up
    the Pen Argyl Branch in the
    background in 1958. Pen Argyl
    Junction switch is just beyond
    the rear of the train. Photo
    by Martin Ealey, used with
    permission.
    (Right) Passenger-equipped GP-7s like

1400 later moved to freights. The first

two 40’ boxcars were empties pulled from
Flory Milling in Bangor. They held bulk
grain with paper grain doors. You can see
remains of a grain door and grain dust
from unloading on the side of the cars in
this1974 view. Robert Stafford photo.
(Left) My photo of the slate quarry trackage
I built for my former model railroad.
Slate scrap pile made from actual pieces
of slate from a scrap pile in Pen Argyl. First
track has a boxcar spotted at the loading
dock. The sand bin can be seen in front of
it. Second track is the coal track with a car
of anthracite coal spotted to it for unloading.
I saved this scene for reuse on my new
layout as the Albion Vein slate spur. – RS
LDJ
LDJ-71 First Quarter 2023 27
Building to Move
Sectional benchwork to ease transport, preserve modeling
Story and images by Eric Hansmann, except as noted
Some of us end up in jobs where a move
to a new office and city are regular employment
features. Frequent uprooting can inhibit
our layout building desires. If we rethink our
designs to incorporate sectional layout benchwork,
a layout can move easier and set up
quicker in a new home.
Can’t wait to build
After my wife and I moved to El Paso in
2012, I was hungry to build an HO scale layout.
We moved into a rental home at first. A
spare bedroom was available with a 10’ X 16’
overall space, including the closet area. I knew
we would purchase a home soon and move
again, but I wanted to build a layout. I decided
to build sectional benchwork so the layout
could move easily to a new home.
I considered a couple of prototype locations.
After doodling track for one idea, I decided
to keep it simple for the tight space. It
would be easy to add more, but it could soon
enter the realm of putting ten pounds of sugar
into a five-pound bag. “Keep it simple” has
become a hobby mantra for me since this time.
Wheeling is appealing
I had stumbled upon the Baltimore & Ohio
(B&O) freight terminal in Wheeling, West
Virginia while researching at the National Archives
and Records Administration Archives
II facility (photos at right). I bought a copy of
the Wheeling valuation map on a whim, as it
looked cool. It became my primary inspiration
for the new layout. After several sketches and
consultation with friends, a plan was finalized
to fit sectional benchwork (plan page 28).
Sizing it up
I decided on a basic 2X4 foot section
size that merged Free-mo (www.free-mo.org)
module ideas with David Barrow’s domino
layout design. Modules were built using threequarter-
inch-thick birch plywood ripped to
three-inch width. End plates were six inches
wide to follow the Free-mo standards. I
attached quarter-inch thick Luan plywood on
risers to cover the sections.
Spoiler alert: The
photo at left is an
even more recent
move – but the selfboxed
and wrapped
layout sections seen
on the right are the
same.
The former B&O Freight House in Wheeling was photographed by
William E. Barrett in 1974. A side view of the headhouse is above,
and a view from the river side of the headhouse and shed is below.
This area and facility became a focus for Eric’s layout planning.
Photos from the Library of Congress in the Public Domain, locators:
HAER WVA,35-WHEEL,4—9; HAER WVA,35-WHEEL,4–15
28 Layout Design Journal www.ldsig.org
The layout plan incorporated three prototype elements of the B&O facilities in Wheeling, West
Virginia. The offset along the far side of the yard (red arrow) was to accommodate a wall bumpout
in the original room.
Inbound and outbound yard
Freight dock track
Clean-out track
Team Yard
1 sq. ft.
Freight House
B&O Wheeling, WV Freight Terminal
HO scale, about 10’X16’ overall
24” Minimum radius
FastTrack turnouts
Crossover and I/O Yard #6, balance #5
No grade
(Middle right) Five of the layout sections were built
to the same design. The section under the team
yard was a slightly different size. The two freight
house sections used benchwork from a previous
layout. They were the same size as each other,
but larger than the rest. Note the wider end-plate
flanges to allow C-clamping sections together.
(Below) Risers were added to each joist and then
cleats attached and leveled using a straight metal
section of a former shower enclosure.
Finally, each section was capped with quarter-inchthick
Luan sheet, as seen at bottom right. Removable
legs include levelers.
LDJ-71 First Quarter 2023 29
Brushing, clamping, and sticking
I like to paint the roadbed before installing
track. Scenery wasn’t a focus of the layout, so
a grey shade was used (page 28, bottom right).
Once the sections were set-up on legs and
clamped together, track was positioned on
the plywood and the center lines were drawn.
Since the sections are intended to go together
in one specific arrangement (unlike standardsbased
modules), I drew the track plan without
too much regard to where the track crossed
benchwork joints.
I used caulk to secure the track onto the
plywood (photo at right). Once the caulk dried,
the rails were cut flush with the ends of each
section with a Dremel tool, and then dressed
with a file (middle right).
Time to operate!
The layout was up and running within
months. Several operating sessions were
held from early 2013 through to the spring of

  1. Two-man crews were employed. One
    crew worked freight house duties and the
    other worked the team yard. Crews pulled and
    spotted 90-95 total freight cars in a three-hour
    session. Their final jobs were to sort outbound
    cars for five B&O destinations beyond
    Wheeling, plus a clean-out track.
    And then, time to move (twice!)
    Shortly after the Wheeling Freight
    Terminal was built and running, we bought a
    home and the layout was moved across town.
    The 2’X4’ sections were easy to handle and
    move in my SUV. The layout was set up in
    a slightly larger hobby space and back in
    operation within a few weeks after the move.
    A bigger move came in the spring of
    2017, as my wife accepted a job in middle
    Tennessee. My thoughts turned to moving the
    layout and how to minimize the handling and
    damage by commercial movers. Many of the
    sections were the same size, so these could be
    (Top right) Track was attached directly to
    the painted surface using silicone caulk.
    (Middle right) Each track was cut flush with
    the ends of the sections.
    A scrap end panel has been installed to
    prepare for a move at bottom right. Another
    similarly sized section will be secured
    upside-down above this one.
    set up like a box with track-sides face-to-face
    (bottom right, see also page 30).
    Thinking inside the box
    Pieces of scrap paneling left over after we
    remodeled the kitchen and living room were
    30 Layout Design Journal www.ldsig.org
    used to anchor two layout sections together.
    track-side to track-side. Other paneling
    sections were cut and fit to the underside of
    the layout sections to protect the wiring and
    track switch controls. A box was created with
    components and layout sections, making the
    layout easier to move (photo top left).
    More to protect
    After the sections were boxed up, I realized
    the ground throws needed to be protected. I had
    mounted these on fascia ledges to control the
    track switches from the aisle. I wanted them to
    bend the rails when they throw a switch. With
    the rail height at 50 inches from the floor, I
    didn’t want crews to reach into the layout to
    operate a ground throw.
    The ground throw ledges jutted out from
    the fascia and could easily be damaged when
    the sections are loaded into a moving van,
    or when things shift in transit. I used more
    scrap panel board as shields to protect these
    elements (middle left). Since they looked like
    convenient hand-holds, I added a warning so
    that the moving crews would not use them as
    handles (bottom left).
    A new space
    The layout sections arrived undamaged
    after the cross-country move. Our new
    home was another rental. A spare bedroom
    had just enough space to set up the layout.
    I encountered a few issues lining up the
    layout sections. Each leg has adjustable feet
    to fine‑tune leveling. The sections where
    tangent track crosses the joint were easy to
    massage into form. The sections where track
    At top left, four layout sections are fastened
    into two boxes and nearly ready for the
    moving van.
    (Middle left) Safety shields were installed to
    protect the ground throws that were mounted
    on fascia ledges. Scrap lumber was
    used to support the thin plywood shields.
    The layout sections are boxed up and
    ready for the moving van at bottom left.
    The plywood shields protect the fasciamounted
    ground throws and those areas
    where the track curves off the layout section
    flush with the edge. These are labeled
    in large lettering to caution movers against
    using them as handles.
    LDJ-71 First Quarter 2023 31
    curves across the benchwork joints required
    additional attention (photo top right).
    The layout was up and operating for a
    couple of months before we bought a home in
    Tennessee. The sections were packed again for
    a move across town. I had hopes of converting
    the garage into a hobby haven, but the metro
    Nashville area is booming and this job was
    deemed too small by contractors. The sections
    remained boxed-up and standing on edge in
    the garage.
    Again?!
    After sitting in the garage for five years,
    the layout sections were packed again for another
    move. They arrived safely and are now
    stored in the new basement space awaiting the
    moment when I can unbox the units and set up
    the layout in a finished room.
    Lessons learned
    Building a layout using sections of similar
    dimensions was an important part of safe
    cross-country moves. The layout did not have
    scenery, so the track side of the sections could
    be positioned closely together to minimize the
    sizes of the “boxes.” Sections don’t all need to
    be 2’X4’, but pairs of sections with the same
    dimensions ease the work to make these into
    box structures.
    Too many curved tracks crossing section
    seams may require tedious realignment.
    Covering the underside of each section
    is key for protecting wiring and mechanical
    elements. Cheap paneling worked well for the
    covering.
    Mark the sections with large letters if there
    are issues the moving crew needs to know.
    While I stated clearly to the crew about what
    isn’t a hand-hold, the ground-throw shields
    marked as “NOT A HAND HOLD” reinforced
    my instructions. I noticed a couple times a
    crew member had grabbed a shield, saw the
    note, and changed their grasp before picking
    up the boxed sections.
    Attach the sections securely and don’t
    worry about screw holes in visible locations.
    The goal is to get your layout to a new place
    without damage. With foresight and care, your
    layout can be up and running within weeks
    after you move.
    More of Eric’s modeling and design ideas at:
    www.designbuildop.hansmanns.org
    These tracks needed extra alignment attention for reliable operation.
    Future layout ideas will incorporate hexagonal corner units to minimize
    curved track across section seams. [Note also Eric’s fine modeling
    and weathering, especially on the boxcar at right. – BH]
    The freight house layout sections were lined up and connected, ready
    for operation. The layout has since been moved again (early 2023),
    so Eric hopes to set-up the sections soon in the basement of the family’s
    new home.
    LDJ
    32 Layout Design Journal www.ldsig.org
    One or Two Tracks (or Both)?
    Considering layout purpose, operating style, and more
    Story and images by Robert Perry, O.D., except as noted
    The question has often been asked, on the
    Internet and elsewhere, “Should I have one
    or two tracks” (Single- or Double Mainline).
    With no additional information or details; this
    is a tough question to answer. Because, as
    written, the question is too vague to answer.
    If the writer were asking about a publicdisplay
    layout, I would say two tracks – since
    the non-model railroading public is more
    interested in seeing action (trains moving)
    rather than observing a realistic depiction of
    railroading.
    Timeless good advice
    But if the writer were asking about a private
    home layout (especially with an operations
    focus), I would say one track. Why do I
    believe this? Famed Model Railroader author
    and Editor Linn H. Westcott wrote: “A twotrack
    mainline is obviously suited to running
    two or more trains. Put one on each track and
    just let them go. If this gets boring, as it will
    for many, then you need something more challenging
    for the [one] who is controlling the
    trains.” Mr. Westcott wrote that sometime
    around 1956. That quote really struck me
    reading it in the early 1970s; and has stuck
    with me to this day.
    Technology offers options
    This issue has become even more important
    as most layouts these days utilize some
    form of Command Control (such as DCC)
    and so there is no longer any need for flipping
    toggles to control blocks to allow for user-intensive
    control of multiple trains.
    For many of us, simply watching trains on
    separated tracks does get boring pretty quickly.
    And for these builders and operators, more
    operating challenge becomes important.
    A layout with a non-interacting doubletrack
    mainline is, in my opinion, just a diorama
    that has motion. Many model railroaders
    would rather strive, to some extent, to reproduce
    what goes on in prototypical operations
    of a real railroad. That does not mean that display
    layouts, toy trains, etc. have no place in
    the hobby, but to obtain and maintain interest
    for many, participation is key. For these folks,
    simply watching a display layout is boring.
    Engagement and interaction
    The absolute, most critical element of a
    successful model railroad (not a display layout)
    is: participation. That requires serious
    consideration and thought in the preliminary
    design phase of your project about how you,
    and others, are going to be actively participating
    in the operation of your model railroad.
    This critical point was stressed many times in
    the layout design book by John Robert Coy,
    entitled Model Railroad Custom Designer (24
    Hour Books, Inc.; 2017).
    Participation is routinely overlooked by
    the novice and/or inexperienced model who
    is primarily concerned about how the track
    should be arranged. This is a critical error, in
    my opinion.
    Prototype vs. model
    Prototype railroads were not concerned
    about their track arrangements first. Their focus
    was on how to get paying customers to actively
    utilize their railroad as: investors, passengers,
    or freight clients. Then they laid their
    track to enable that utilization. As such, track
    plans were based first on the location of their
    expected customers and their shipping or passenger
    needs; and secondly on the most inexpensive
    and safest way to lay tracks between
    points A and B.
    Options Add Interest for Double-Track
    Robert offers good general ideas about single-track and double-track
    mainline designs. More demanding double-track layout design and operating
    schemes can be developed to add significant operating interest,
    as well. Crossovers between mainlines, larger numbers of diverse trains
    (e.g., freight vs. passenger; hot shots vs. drag freights), helper grades,
    and other elements can create a lot of challenge for operating crews.
    Meets and passes, overtaking trains, station-stops, etc. all create trainto-
    train interaction that adds interest. Desired train density during operating
    sessions or visitor hours may also impact the choice of single- versus
    double-track. As on the prototype, double-track with crossovers generally
    permits more trains running in a given time. And replicating specific
    prototype areas may demand double-track arrangements as well. There
    is not one-size-to-fit-all, but Robert’s suggestion to consider the style and
    amount of operation challenge desired is always excellent advice. – BH
    LDJ-71 First Quarter 2023 33
    In designing a model railroad, we may
    have some idea of what kind of terrain we
    wish to model, but this is often secondary to
    the design. We know we want tracks to traverse
    in each direction and from one location
    to another, but we seldom consider the terrain
    first. Garden railroad modelers may be an exception
    to this – as terrain is often the primary
    concern (just as it can be with the real railroads).
    Terrain constraints
    The terrain can often dictate whether there
    is room for a double-track mainline in a certain
    area or if a single-track mainline must be
    shared by trains traveling in different directions.
    If a layout is designed with a doubletrack
    mainline, one may consider adding-in
    features that would create some operating
    interest as it would on the prototype. Trestles
    and other bridges may be too expensive on
    the real railroads in certain locations to allow
    a double-track mainline. Limitations to the
    available track footprint may exist, such as a
    town with pre-existing buildings that don’t allow
    room for two tracks – or narrow riverbeds
    and mountain steepness or curves.
    For these reasons, double-track mainlines
    may be reduced to single-track in various locations
    such as on a one-track bridge (photo
    lower right) or even using a gauntlet track*. On
    the model, this can add a significant level of
    interest and need for forethought in the scheduling
    and control of trains, thus making operating
    much more interesting and challenging.
    Incorporating into layout designs
    This should be a serious consideration in
    your design. First, focus on what kind of terrain
    you want and how this would typically
    affect transportation through the area. Then
    consider what industries you want and their
    needs. Next, plan how you and others will be
    actively involved in the operations and scheduling.
    Plan areas of necessary bottlenecks and
  • Gauntlet (or gantlet) tracks are areas where
    two mainlines (usually) are interlaced and
    overlap – but without movable points, so trains
    may not move from one track to the other. Although
    creating the same dispatching bottleneck as a
    section of single track, there are no switch points to
    control or maintain. The narrower track footprint
    of the gantlet segment is often helpful for tunnel
    and bridge clearances. – BH
    positive meets (areas where two approaching
    trains must maneuver around each other on
    passing tracks) and then lastly, complete the
    design and lay track.
    Some layouts have arranged for interchanges
    where one railroad meets another.
    If this involves an exchange of rolling stock
    rather than just a track crossing, this can also
    add operator interest, especially if two crews
    are involved in the exchange. Another option
    for added interest, if you decide on a doubletrack
    mainline, is to create a section of track
    that is being repaired with a MOW (Maintenance-
    of-Way) train. Now the approaching
    trains must change tracks via crossovers or
    alternate routes to get to their destinations.
    Designing for use
    For operations-oriented designers, the first
    question should be: “How will I, and others,
    be actively involved in the railroad once it is
    operational.” For most, the answer would not
    be by becoming an idle observer. Especially
    with Command Control, it would be very easy
    to get lulled into a state of stupor by just walking
    alongside a train that has no need for real
    interaction on a double-track mainline.
    Planning for interactions
    Part of the fun of operations to me involves
    the cooperation of the train engineers/
    conductors/brakemen and the dispatcher.
    This impressive trestle near Garry on John and Connie Coy’s O-scale
    Glacier Line layout is an example of a long single-track segment that
    creates operating challenges for the dispatcher and operators.
    34 Layout Design Journal www.ldsig.org
    When multiple trains are operating and sharing
    trackage, those involved must be acutely
    aware of any pinch-points, timetable issues,
    MOW work going on, etc.
    Communication between operators and
    their dispatcher is important in order to know
    where and when a train must enter a passing
    siding, wait for a train that has priority to
    cross a single-track bridge, or whether a crew
    switching cars can temporarily enter the mainline.
    This can be done, depending on the size
    of the layout, via walkie-talkies, closed-circuit
    phone system, intercom, or merely by talking
    across the room (photo below). An operating
    signaling system can also be useful, especially
    if it can be over-ridden by the dispatcher when
    needed.
    In a large yard area there may be more
    than one locomotive switching cars at a time,
    thus requiring good communication between
    the crews. Two-person crews and dividing-up
    the duties also make operations much more
    fun. The engineer can be running the throttle
    while the conductor or brakeman throws the
    switches, etc.
    Long-term fun and challenge
    We are always asking ourselves how we
    can get others involved in this hobby. Multiple
    studies have demonstrated that the more
    a person is actively involved in any activity,
    the more likely that person will continue that
    activity into the future.
    If our layouts primarily operate themselves,
    what active participation does that offer
    us, or anyone else for that matter? How
    would that keep you engaged or interested
    over time? Yes, it’s neat and cool to observe
    multiple trains running, in opposite directions,
    up and down hills, through tunnels, across
    towns, etc., but that may not keep the average
    person interested.
    One recent development in train operation
    has been automated train control via Arduinos
    or JMRI* utilizing train detection, transponding,
    block occupancy, route control and turnout
    changes. This is fine for a museum layout
    that needs to be operated autonomously but, in
    my opinion, I believe operator interaction and
    interest is much more important – even though
    I enjoy computerization of various aspects of
    my layout.
    Spectate … or participate?
    Instead, how about handing a visitor to
    your layout a handheld throttle to control a
    train, and instructing them in how to start,
    stop, couple, uncouple, blow a horn or whistle,
    pick-up or set-out a car at a siding, stop at a
    passenger station, or wait in a siding while another
    train goes by? Those things mirror reality
    and require participation. This requires active
    engagement into the operation of the layout
    and will gain a person’s full and undivided attention.
    This may persuade and encourage that
    person to become a model railroader.
    Be wary, however, of introducing someone
    to operations as a first-timer during a formal
    operating session. I have heard many newbies
    report that they were overwhelmed and
    confused by waybills, schedules, operating
    rules, etc. This makes it feel like work to them
  • Java Model Railroad Interface
    www.jmri.org
    Arduino is an open-source hardware and software
    company, project, and user community that designs
    and manufactures user-programmable singleboard
    microcontrollers (“Arduinos”). These are
    being used for a variety of model railroad applications,
    including automated train control.
    A much-younger LDJ Editor dispatching on Rick Fortin’s HO 4th
    District ATSF layout using a variety of communications tools. The
    headset is connected to an FRS family radio base station (silver
    with antenna) for communicating with road crews. Rick rigged-up
    a prototype foot-switch below the desk for push-to-talk actuation.
    A household intercom system (ivory) connects to the Chico Tower
    Operator within the yard limits of Orchard Yard. Dispatching was
    via Track Warrants. The layout is primarily single-track-withsidings
    with a double-track segment for a short distance beyond
    the yard. Photo by Rick Fortin.
    “Two-person crews
    and dividing-up the
    duties also make
    operations much
    more fun.”
    LDJ-71 First Quarter 2023 35
    and they feel stressed rather than
    having an enjoyable experience.
    This is the exact opposite of
    what the intended goal should be.
    [Many layout owners assign an
    experienced “mentor” to help new
    or visiting crews through their
    first operating session(s) on an
    unfamiliar layout. – BH]
    Lone wolf to team participant
    I was a “lone wolf” for many
    years. My personal HO-scale layout
    is fairly small and is not really
    conducive to having many operators
    at a time. Recently I joined a
    local train club that has a combination
    of a generally double-track
    mainline that narrows to singletrack
    at various locations.
    I also became part of the crew
    of the Glacier Line O-scale layout
    owned by John and Connie Coy in
    my town. This layout is also a combination
    of single-track and double-
    track segments, which I have
    personally found adds considerably to my operating
    interest.
    John Coy often relates Linn’s words and
    this prompted his design for The Glacier Line.
    It began several years ago with John and his
    wife as the only operators. Now, during the
    train season in Indiana winters, there are generally
    between five to twelve people operating
    the layout every other Sunday evening.
    Single- and double-track
    When operating this primarily single-track
    railroad (with passing sidings and spurs), one
    must maintain control over his or her train lest
    there be a “cornfield meet” somewhere – participation
    is paramount! In the “Tour of the
    Glacier Line” diagram (top right), one can
    see some of the transitions between singletrack
    and double-track portions of the mainline.
    (This diagram does not show the extensive
    main yards and two turntable facilities in
    Shelby and Whitefish.)
    Trains entering the Goat Lick Bridge
    (photo bottom right), the wooden trestle near
    Garry and Bad Storm Canyon, or beyond Rising
    Wolf all need to be wary of approaching
    traffic to yield as needed.
    John Coy’s schematic diagram of the 3-rail O-scale Glacier Line shows the alternation
    between single-track and double-track segments.
    The Goat Lick Bridge is a single-track operating bottleneck between
    the multi-track mainline segments in Rock Hill and Walton. Robert
    says that engagement and interest is increased through these single-
    (story concludes on page 40) track operating challenges.
    36 Layout Design Journal www.ldsig.org
    Fascia Color Ideas from Display Layouts
    by Nicholas Kalis
    American layout builders could learn much from their
    British cousins when it comes to choosing a fascia color
    for their layout. The photographs at right of a putty-colored
    fascia on Ian Clark’s Rockingham amply illustrates that
    point. The color chosen by this layout builder is a soothing
    match for his layout; it does not distract in the least from his
    modeling efforts.
    Too often green is employed in the US to paint our fascias
    when a more fitting color would do better. Another overutilized
    (in my opinion) choice for layout fascias is the color
    black; I write this knowing full well that black is an effective
    fascia color in some cases.
    Even worse, we often see a beautifully done model railroad
    in the United States that has no paint on its fascia at all.
    Indeed, too often the length of time the fascia has remained
    unpainted is betrayed by aging of the Masonite™ that has become
    apparent by the color change observed in the material.
    It is bewildering to this author that someone could put as
    much as decades of work into a model railroad only to leave
    it unframed without a painted fascia.
    So, what is the take-away from these musings? Paint
    your fascia sooner than later – don’t let Father Time “paint”
    your Masonite through aging – it is a bit depressing to
    tell the truth. Second, visit some exhibition
    layouts through the Internet to get some
    inspiration about how to paint your fascia in a
    manner that enhances the visitor experience.
    To learn more about fascia treatments, see my
    essay in the LDSIG Layout Design Primer:
    www.tinyurl.com/PrimerAppearance
    P4 and Scalefour
    The Rockingham layout was constructed in
    a scale/gauge combination called P4: 4mm/ft
    (1:76.2 scale like OO; but accurate to-scale track
    gauge) – similar in terms of standards and precision
    to Proto:87 in the US. Set in September 1929, the
    layout was exhibited in several shows until 2009,
    after which it was installed in the owner’s loft.
    Scalefour is a finescale outgrowth of the P4 scale/
    gauge combination. For more information, visit:
    www.scalefour.org
    This slightly lower-resolution photo of Ian Clark’s
    Rockingham display layout shows more depth of the
    putty-colored fascia than the photo below. The color
    palette of the layout and fascia are somewhat muted for
    a balanced and coordinated appearance.
    This better view illustrates Ian Clark’s exceptional modeling. This
    image is from Ian Clark’s YouTube video of his layout, posted as
    part of a Virtual Scalefour North International 2021 exhibit.
    https://youtu.be/SA0dETbah3c
    Visit the LDSIG on the Internet
    Main Site: www.ldisg.org
    Groups.IO Discussion Forum: https://groups.io/g/ldsig/topics
    Facebook Discussion Forum: https://www.facebook.com/Layout.Design.SIG
    LDSIG Layout Design Primer: https://ldsig.net/o/ldsig/wiki/index_title_Category_Primer.html
    Join/Renew: https://ldsig.net/membership/
    LDJ
    LDJ-71 First Quarter 2023 37
    Stories coming soon to the LDJ … along with many more …
    Free Future LDJs for Your Articles – it’s Easy!
    by Byron Henderson, LDJ Editor
    The LDSIG Board of Directors and I have been talking
    for many years about how to incentivize LDSIG members to
    contribute ideas and learning from their design, construction,
    and layout visit experiences. We recognize that today’s world
    offers more ways to share your thoughts besides formally in
    a publication like the LDJ. Not to mention that everyone
    seems to be busier than ever.
    I have suggested that we reward LDSIG authors with an
    extension of their membership for each article that they submit.
    While the Board has never been opposed to the idea,
    we’ve also never firmly moved forward. But the recent decision
    by the Operations SIG to do just that has encouraged us
    to get started with this program.
    3, 2, 1 – Go!
    Our goal is to encourage (and reward) contributions of
    all types and scopes – small to major. So in recognition of
    the difference in work involved, we decided on a scale of
    membership extensions depending on the amount of material
    contributed.
    Any contribution of LDJ content will receive at least a
    one-issue extension of the author’s current remaining issues.
    As little as a single interesting and informative photo – with
    a caption! – will qualify. For those with more to say and
    illustrate, a contribution that results in three to five pages in
    a published LDJ will be rewarded with a two-issue extension.
    And for six pages or more, a three-issue extension! This
    program begins with this issue.
    Exceptions
    Since our focus is on generating informative and interesting
    content, items like news, election notices, event announcements,
    LDSIG business reports, letters-to-the-editor,
    reprints of articles from other sources, etc. will not qualify.
    And the LDJ Editor retains the decision of what is appropriate
    for publication in the Journal (though we accept and appreciate
    almost everything!).
    But what would I write?
    All content ideas are welcome – whether something
    you’ve done or something you’ve seen and documented.
    Any of our Design Challenges may prove to be an inspiration.
    And we’re already getting great response on the Ten-
    Turnout-or-Fewer Challenge that was described in LDJ-69
    and LDJ-70, including articles in this issue starting on pages
    21 and 24. More Ten-Turnout articles are very welcome.
    Double? Or half?
    Another feature that we would like to encourage is the
    “Double? Or Half” concept introduced in LDJ-63, First
    Quarter 2019. This exercise asks the question: “What would
    you do with your layout if you had only half the space? How
    about double?” I think that this is a great thought experiment
    and hope to share articles from other successful layout
    builders considering the same question. With the same scale,
    theme, era, and locale, what would you build in those different
    spaces?
    Operator (me) standing by
    Please reach out to me with your article ideas and questions
    (contact info page 2). We’d love to feature your ideas
    in the LDJ – and to show our appreciation with free future issues.
    (Of course, we also continue to welcome contributions
    from non-LDSIG members. As in the past, they will receive
    a complimentary printed copy of the LDJ in which their article
    appears.) Our readers want to learn from you!
    brewery
    bottling and
    shipping
    e
    Liquid
    Carbonic
    Californian coal & oi
    freight house
    team track
    eet yard
    shipping
    ckets
    ce
    Kentucky
    Lubricants 69 lumber
    Chicago
    Junction
    Rwy Freight
    house
    Standard
    Brands
    Monogram
    Models
    Crayola
    Western
    screw
    Metal
    Coating
    LDJ
    38 Layout Design Journal www.ldsig.org
    Like many other SIGs and hobby organizations, the
    Layout Design SIG Board of Directors has chosen to use
    electronic voting for elections of Directors going forward to
    make it easier and faster for members to vote. This worked
    well in our previous election (see results below). The current
    election for a single seat with a 2023 through 2025 term will
    again be conducted electronically via the widely used and
    secure Election Buddy software.
    The electronic ballot will be emailed directly to all
    Layout Design Special Interest Group Members with a valid
    email by March 17, 2023. To ensure that you receive the
    ballot in a timely manner, please update your email address
    with LDSIG Membership Chair John Young at:
    cdjhyoung@yahoo.com
    LDSIG Board of Directors Election
    The current election is for one seat with a term through 2025. LDSIG members in good standing wishing
    to be candidates in a future election may contact any board member (page 2) for more information.
    No email? No problem.
    If you are not able to receive email, you may still vote
    by surface mail. Paper ballots will be automatically mailed
    directly to LDSIG members without an email address on
    file. The election for both on-line and postal mail voting will
    close on April 28, 2023.
    If you have not received a ballot by the end of March,
    2023, or if you have any questions or concerns related to
    the election, please contact Election Chair Ron Burkhardt
    (page 2). Additional Election Committee members are Bill
    Neale and Jay Qualman.
    For reference, a Candidate Statement is found on page
    39 and will also be included with the emailed ballot.
    – Ron Burkhardt, Board of Directors Election Chair
    Board of Directors Election Committee Report
    The elections committee for the 2021 election was composed
    of one member of the Board of Directors, Cal Sexsmith,
    and two non-Board members, Greg Kujawa and Brian
    Stokes.
    The announcement of the Election and ballots were published
    in LDJ-70, Third Quarter, 2021. The deadline for return
    of ballots was set as November 30, 2021.
    The elections committee verified membership for 189
    ballots, nearly all submitted on-line. This was sufficient for a
    quorum. There were no ballots with write-in candidates. The
    Election results are as follows:
    Chris Mesa – Elected
    K. Travers Stavac – Elected
    Several ballots contained updates or changes of contact
    information, home and cell phone numbers, and/or layout
    URL’s. They have been forwarded to our Membership Services
    Chair, John Young, for updating our records. Thank
    you for providing current information.
    Members should contact John Young with any changes
    or additions to their contact information and layout design
    and/or layout interests (contact information page 2). See the
    membership renewal form on the LDSIG website, which indicates
    some of the areas that can help us make networking
    more effective among members.
    If you are interested in volunteering to become a candidate
    in the next Board Member election, see below and
    please contact Travers Stavac (page 2).
    Thank you to the members of the Elections Committee
    and to members for promptly returning their ballots.
    – Respectfully submitted 11 January 2023
    Cal Sexsmith; Board Member and Election Chair
    Call for LDSIG Board of Directors Candidates for 2024-26 Terms
    Two LDSIG Board of Directors seats will be up for election
    later in 2023 for terms beginning in 2024. [Incumbent(s)
    may also be running in this election.] Board seats are threeyear
    terms and are open to any LDSIG member. According
    to our bylaws, Directors are elected by SIG members and
    LDSIG Officers are elected by the Board. (Except for the
    President, officers need not be Board Members, although
    they usually are).
    Board Members meet periodically, normally by Internet
    conference. It is helpful, but not required, that Board Members
    also attend most NMRA National Conventions. Email
    access is required to facilitate Board Member interaction.
    Besides SIG membership, the main qualification is that
    you are willing to work hard for the members of the LDSIG!
    We encourage SIG members to run later in 2023 or in the
    future. Please also vote in the current election, see top of
    this page.
    To become a candidate or for more information, contact
    Travers Stavac (contact info page 2).
    LDJ-71 First Quarter 2023 39
    LDSIG Board of Directors Election
    Candidate Statement: Cal Sexsmith
    I was appointed to
    the LDSIG Board in
    the winter of 2013 to
    fill a vacancy and was
    elected to a three-year
    term later that year
    and re-elected in 2016
    and 2019. I am now
    letting my name stand
    for election to a fourth
    three-year term. During
    my time on the Board I
    spent one year as Vice-President and five years as Recording
    Secretary. Since my election to the Board I have attended
    several NMRA Conventions and helped with organizing
    the LDSIG activities at those conventions. I was the Board
    sponsor for the 2019 NMRA Convention in Salt Lake City
    assisting our Local Activities Convention Coordinator in
    setting up the convention activities. I have also been active
    in promoting the LDSIG in the Sixth Division PNR, my
    local NMRA Division.
    I have been around model railroading my entire life and
    have considered myself a model railroader since age 10. I
    joined the NMRA in 1977 and the LDSIG in 1982. I have
    volunteered for several model railroad organizations including
    sitting on the Pacific Northwest Region Board; chairing
    the 1995 PNR convention and several divisional meets; editing
    the HIGHBALL, which is the Sixth Division newsletter;
    and organizing local Operations SIG activities. I have also
    been involved in railway heritage by volunteering with the
    Saskatchewan Railway Museum and sitting on the Board of
    the Museum and on the Board of the Canadian Council for
    Railway Heritage, which recently merged with the Heritage
    Rail Alliance. Following a recent move I have begun construction
    of the most-recent version of the Parkland Division
    in a purpose-built addition to our home. The Parkland Division
    is based on the Canadian National and Canadian Pacific
    joint lines on the northern prairies of western Canada trying
    to replicate the railways I remember from the 1960s and 70s
    in my hometown of Prince Albert, Saskatchewan. Through
    my association with the LDSIG I have learned the value of
    researching the prototype to make the model railroad appear
    more believable.
    I retired from a 34-year career as a Civil Engineer with
    the City of Saskatoon in 2016, mostly in the water & sewer
    and land development areas along with a bit of time in
    transportation planning and asset management. Since then I
    have been working on an as-needed basis with a local consulting
    firm. I have been involved as a volunteer with the
    Association of Professional Engineers and Geoscientists of
    Saskatchewan, the American Water Works Association, and
    the Canadian Society for Civil Engineering.
    Moving forward, I am supportive of the efforts to rebuild
    the LDSIG’s internet presence and working on means
    to recruit and retain members by enhancing services. Those
    of us who are fortunate enough to attend NMRA National
    Conventions on a regular basis have been well-served by the
    LDSIG activities at the conventions. However, we need to
    expand our reach into more Regional activities by providing
    support to the organizers of more local events. From my
    volunteer efforts with other organizations I believe that you
    only get out of an organization what you put into it. If I am
    successful in being elected to the LDSIG Board I will continue
    with the successes of the previous Boards and work
    towards expanding our services to the membership and the
    hobby as a whole.
    – Cal Sexsmith
    Rich Blake photo
    I’m pleased to share a couple more stories from our Ten-
    Turnout Design Challenge, with a number more in the hopper.
    It’s fun to see what folks are coming up with. And we
    will have room for more, so take a look at LDJ-69 or LDJ-70
    for instructions, or contact me (page 2).
    Write articles, get future issues – free!
    And speaking of articles, how about we reward you for
    yours? See page 37 for more on our new program that lets
    you earn future LDJ issues added to the end of your subscription
    for every article you submit. Depending on the
    amount of content, we’re rewarding you with one, two, or
    three future issues. As simple as a photo with meaningful
    caption or as long as a detailed description of your concept
    and design – now you’ll receive more than just my sincere
    thanks for sharing with your fellow LDSIG members.
    What’s next?
    Authors have continued graciously sharing material
    while I was on forced hiatus. So we have plenty to bring to
    you in at least two more issues this calendar year. And when
    I find out where the movers left my train stuff, maybe some
    construction will happen around here eventually.
    As always, thanks to the authors and volunteers who
    make each issue possible.
    Editor’s message …
    (continued from page 3)
    LDJ
    If the “Issues remaining” above your address reads
    “Last Issue” or “1”, please renew immediately (see page 2).
    Layout Design Special Interest Group, Inc.
    LDSIG Member Support
    505 Oakwood Avenue
    East Aurora, NY 14052
    Address Service Requested
    One or Two Tracks?
    (story begins on page 32)
    The nominally double-track from Rising Wolf to the Shelby
    Staging Yard uses one track for ascent up the grade and the
    other for descent in the other direction. There is, however, a
    passenger station in this area that requires passenger trains to
    use a specific track whether ascending or descending the grade.
    As such, freight trains must be aware of their positions at all
    times to know whether they need to change tracks.
    So, whether we are designing a layout for multiple operators
    or to be a lone wolf, consider from the start if the operation
    of the layout will be the primary concern. A loop or
    dog-bone option where a train can run continuously may be
    a good addition for break-in and display, but I wouldn’t suggest
    making it the goal of the layout. Instead, I suggest adding
    operator complexity.
    Single-track may often be the most intense, but may also
    require engineers to just wait on a passing siding for long periods
    and increase dispatching workload too much. Some double-
    track mainline arrangements may not create enough interaction.
    My suggestion is to combine the best of both worlds to
    obtain maximum interest.
    Lastly, five people joined the NMRA because of participation
    in the operation of the Glacier Line layout! Encouraging
    people to become model railroaders, joining the NMRA,
    and then helping others should always be something we strive
    for – whatever the layout concept and interest.
    (Above) Double-track mainline is seen on the left through
    Cataract, but converges to a single track through the tunnel
    at the rear, before entering the directional double-track
    through Rising Wolf on the way to staging.
    The double-track through Cataract continues to Camp
    Disappointment before converging again for the Goat Lick
    Bridge, as seen at right.
    LDJ